Braiiiiiiins and being underestimated.
A
favourite magical past-time of mine is reworking classic tricks to suit me. Not
the handlings - most classics have enough style to stand on their own method
wise, and the ones that don’t certainly have enough variations already in print
to piece something together.
It’s
the presentation that I always look to change. How can I make this trick fit
me, and, just as importantly, topical? This last part is often overlooked I
feel.
Peter Kane’s ‘Watch the Ace’ or Wild Card as it
became known, is a classic example. I simply LOVE that trick. Changing a bunch
of cards into duplicates of a selection, (or printing blank ones) can be hugely
effective. A handling I particularly recommend is John Bannon’s ‘Mag-7’ from
his Mega-Wave book available
here.
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Mega Wave by John Bannon |
There are some great Wild Card routines already out
there, but the vast majority are playing card based, and I was looking for
something a bit different.
So,
an obvious solution was to get double blank cards and a bunch of marker pens,
and customise my own sets - it’s quick, opens new presentational angles, and
also alternative methods as you can of course draw your own gaffs.
I’ll pause here briefly to explain why I often
hand draw the pictures, as many people do ask me why in lectures, or they
suggest that I should get the cards printed up, as it would look more
professional - which certainly can’t be denied, as my own artistic skills are
comparable with those of a wildly untalented badger.
So why do I ignore this advice, and present
tricks with badly drawn pictures? Well, there are two reasons.
Firstly, it shows my spectators on some level
that the trick is mine. When I perform a card trick, or a packet trick with
printed cards (say Colour Monte for example) I have no doubt that a spectator
doesn’t even consider the fact that the trick is original with me. The fact
that it looks professionally produced speaks for itself. While I appreciate
that this looks better, and certainly suits certain characters more, the hand
drawn approach for me gets a better reaction, as the trick is clearly something
I have made up. It generates a little more interest.
Secondly and most importantly, it lowers
expectations. I’m not entirely sure what spectators think when I pull out some
blank cards with some drawings on, but I’m confident that they aren’t expecting
much from whatever might be forthcoming. Lower expectations means that when the
magic hits, it exceeds their expectations, and generates a much better reaction,
for me at least. It is much easier to impress someone who has subconsciously
underestimated you, and that’s what my whole performance hinges on.
Anyway....
I
won’t go into the handling of the now standard Wild Card, but here are some cool
themes that you can apply.
Cloning - at the time, Dolly the Sheep was big news
- the first animal that had been cloned! A bunch of cards were shown double
blank, and laid out in two rows. On the last one, I drew a cartoon sheep, which
then proceeded to be cloned onto all the other cards. An unexpected advantage
to this approach is that all the cards could be examined at the end, due to the
fact that only the faces printed, and all the backs were blank.
Credit Card Security - ‘Card Cloning’. Showing a
stack of blank cards drawn up as mastercards, and then changing them all to Visa
was another presentation I came up with. I justified the cards by saying that
it would be unethical to show it with real credit cards, but this was really
just to cover the fact that I hadn’t bothered to get some made up (marketing
rights reserved).
Braaiiiiins - Zombies! Zombies are big business at
the moment, with movies, TV series and games everywhere, and when I stumbled
across this blog that teaches you how to draw cartoon zombies, the idea of
applying it to wild card was too perfect to resist!
Now,
a bunch of cards with stickmen drawn on slowly become zombies, one by one. LOVE
it!
What
other themes can you think of? Anything relevant or typical to today? Share
your ideas with us :)
Laters...
I've re-worked the 4 cart trick (learnt from Elmsely Project dvd http://www.dudethatscoolmagic.co.uk/acatalog/Elmsley-Count-Project-with-Liam-Montier.html ) INstead of a jocker or ace apearing I have a little stick man. THis means you can use the trick on younger kids who may not follow cards so well. I also use stick men in "wee Wee Mentalist" from Dave Forrests "2wo Faced". A friend suggested I make up a stamp to turn out these cards quickly BUT there is one extra advantage to hand drawing your gaffs. You can ALWAYS whip up extras at a gig provided you keep blank cards on you. IT makes you just a little bit more flexible
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